July 27, 2008
Rinko Kawauchi, Mika Ninagawa and Asako Narahashi have been featured in recent publications on photography and art.
Rinko Kawauchi and Mika Ninagawa are included in two new books:
Photo Art: Photography in the 21st Century
Uta Grosenick, Thomas Seelig (editors)
Aperture, New York 2008
As digital technologies and the homogenization of trends continue to impact photography, there are those artists who rise above the fray, producing compelling work that causes a commotion. Photo Art: Photography in the 21st Century features the latest, greatest, and newly up-and-coming artists responsible for this furor.
[Quote: Aperture]
Tokyolife: Art and Design
Ina Luna, Lauren A. Gould, Tom Mes, Jasper Sharp, Yoshida Mika, David G. Imber
Rizzoli, New York 2008
The divergent personalities profiled in this book have collectively engineered entirely new ways of seeing, expanding their influence well beyond Japan and into the arts of Asia, Western Europe, and North America. Featuring the work of renowned talents as well as rising stars, this book is organized around the physical city and the role of the megalopolis as both the site and inspiration for an unprecedented explosion in the visual arts.
[Quote: Rizzoli Publications]
As already mentioned in the last post Asako Narahashi’s work is exibited at the ICP, New York, in the “Heavy Light” exhibition and of course her work is publish in the catalogue to the show:
Heavy Light: Recent Photography and Video from Japan
Christopher Phillips, Noriko Fuku
ICP/Steidl, New York 2008
Accompanying a major exhibition at the International Center of Photography, Heavy Light: Recent Photography and Video from Japan explores the inventive imagery and unconventional sensibilities that characterize recent photobased art in Japan. [...] Heavy Light concentrates on four major themes that have come to preoccupy Japanese artists working with photography and video. These are the reshaping of Japanese tradition; the relation of nature to the manmade world; costume and the search for personal identity; and the child as cultural icon. The publication also features extended interviews with the exhibition artists.
[Quote: ICP]
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June 12, 2008
We just returned from the Art Basel 39 and three of the artists we exhibited at the fair are currently on show in US and Japanese museums:
August Sander: People of the Twentieth Century
The Getty Center, Los Angeles
May 6 – September 14, 2008
The exhibition shows a selection of 130 portraits from the the Getty’s remarkable collection of 1,200-plus works by August Sander.
Getty publication on August Sander (2000):
People of the Twentieth Century, the collective portrait of German society made by German photographer August Sander, has fascinated viewers from its earliest presentation in a 1927 exhibition and the controversial publication of a selection of 60 images in the book Face of the Time published two years later. Despite Sander’s dedication over five decades to the idea and compilation of this portrait atlas of the German people, the project remained unfinished. Nonetheless, his photographs remain compelling, in part because he chose to categorize his subjects by profession or social class. The images are thus representations of types, as he intended them to be, rather than portraits of individuals.
[Quote: Getty Center]
The Los Angeles Times had a positive review of the August Sander exhibition.
Daido Moriyama “I. Retrospective 1965-2005″ & “II. Hawaii”
Tokyo Metropolitan Museum of Photography, Tokyo
May 13 - June 29
MORIYAMA Daido started work as a freelance photographer in 1963, publishing his ‘Yokosuka’ series in the ‘Camera Mainichi’ monthly magazine in 1965. He continued to publish work in various photographic magazines, the high-contrast, grainy images he produced during the sixties and seventies being criticized as ‘coarse, camera-shaken and blurred’, but they were to cause a revolution in the Japanese photographic world. Forever questioning the meaning of photography, all his photographic series - his early, ‘Japan, A Photo Theater’ (1968), the controversial ‘Farewell Photography’ (1972), which examined photographic expression, ‘Light and Shadow’ (1982) which marked his comeback after a creative slump, and his latest, ‘Hawaii’ (2007) - all attracted great attention.
Capturing daily life in the form of ‘snapshots’ taken in the street, his powerful works stir up emotions such as desire, loneliness, unease, etc. in the viewer. The exhibition comprises of two sections, one tracing the career of this world-famous photographer and the other showing his current work.
[Quotes: Tokyo Metropolitan Museum of Photography]
The Japan Times had an interesting article about the exhibition which includes an interview with the artist:
“I’m not always a stray dog. Sometimes I’m a cat,” says Daido Moriyama. “Or an insect.”
[Quote: Japan Times]
Asako Narahashi in the group exhibition
Heavy Light: Recent Photography and Video from Japan
International Center of Photography, New York
May 16 - September 7
Heavy Light: Recent Photography and Video from Japan will present the exciting and highly individualistic work of a new generation of Japanese artists who have come of age following the Asian economic crash of 1990. For the last several years, China has been the focus of attention for contemporary Asian art, while the remarkable and distinctive younger generation of Japanese artists who are working today has been largely ignored. This ICP exhibition will be the first major U.S. presentation of contemporary photo-based artwork from Japan in over ten years. Heavy Light will present the work of thirteen artists and will fill most of the ICP gallery space. The exhibition will include both photographs and video, many of which are large and dramatic pieces.
[Quote: ICP]
[On Asako Narahashi:]
An archipelago-nation that consists of four main islands and roughly 3,000 smaller islands, Japan has one of the longest coastlines in the world, stretching over 18,486 miles. Located in an area of intense seismic activity, it also has an intimate familiarity with such natural disasters as earthquakes, tsunamis, floods, and landslides. In the series “half awake and half asleep in the water,” begun in 2000, Asako Narahashi photographs Japan’s coastal landscapes and architecture while standing precariously in the ocean just offshore. Caught in a mood of floating, dreamlike isolation, Narahashi’s images testify to her sense of mixed pleasure and panic as she is buffeted by the swelling waves. Nature, glimpsed from this vantage, is both a serene presence and a turbulent, unpredictable force.
[Quote: ICP]
NOTE: Our next exhibition will feature Asako Narahashi “half awake and half awake in the water”. The vernissage is on September 12 and the artist will be present.
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May 15, 2008
A short note on AIPAD Photography Show New York, which was held from April 10 through Sunday, April 13 at the Park Avenue Armory. This year AIPAD organized a Gala Benefit Preview at the opening night of the fair. It was held to benefit the John Szarkowski Fund, an endowment for photography acquisitions at The Museum of Modern Art. The Benefit Preview as well as the whole fair was well attended.
At AIPAD we exhibited a selection of modern vintage photographs - August Sander, Albert Renger-Patzsch, e.g. - and Japanese photographers like Daido Moriyama and Rinko Kawauchi.
Currently we are preparing for the Art 39 Basel which will run from June 4 - 8.
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April 6, 2008
Last Thursday, April 3, our partner Antoine de Vilmorin opened the Rinko Kawauchi exhibition “Utatane” (Siesta”) in Paris. The opening which took place in an art space in the Marais was well attended.
Rinko Kawauchi came to Paris for the set up the show and a Dutch film crew documented the installation of the exhibition and later took short interviews with some visitors.
Exhibition April 3 - May 3
art77, 77 rue des Archives, 75003 Paris
Tuesday - Saturday 2pm - 7pm
Friday 2pm - 9pm
and by appointment: + 33 (0) 1 44 77 43 38
rinko.kawauchi@antoinedevilmorin.fr
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February 21, 2008
Last Friday, March 3, we openend the exhibition with Rudolf Bonvie’s series “La chasse photographique” from 1980 and the new “YouTubeWorks”.
The photo on the upper right shows the artist in the center.
The opening was well attended and went much longer than the official hours.
Rudolf Bonvie put up a special page on his website with the works exhibited and additional information on the YouTubeWorks: Website Rudolf Bonvie
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